Power Broker

Charcoal, Graphite and Watercolor on Paper
62"x42"

Flesh and Blood

Charcoal, Graphite and watercolor on paper
60"x42"

Dangerous Liaison

Charcoal, graphite and watercolor on paper

Nomadic Studio

In July, I spent a week working on a mural-sized site-specific painting for Nomadic Studio, an exhibition at the DePaul University Art Museum. My idea involved a life-sized train engine and Black angus steer, as well as a page of interview text. The text outlined one woman's family's migratory path from Mississippi to Oklahoma and eventually to omaha as well as the role of the Railroads and Slaughterhouse in making that path possible.


This painting is 97"x260"

Mayacama

This is a big one: 75"x228". Sorry I didn't get any of the source watercolors in the blog before this one was finished. Oh, and all the female figures are modeled on katie.

Haywain/my parents (constable/hockney) [stuart]

This will just be dry enough to show in my next exhibition. Been thinking alot about my friend across the pond.

behind the grotto

yes yes yes. It has been very snowy here. There is still several feet of snow on the ground. yes yes.

Elmwood creek

The snow goes somewhere

The shortcut to UNO

weezie

For this, Eloise chose a portrait of Jane Seymour by Hans Holbein, I assume because of its ornate fabrics and patterns. regardless, this will be used for the postcard publicizing my next show, at Jackson Artworks in March.

Official title is: After Jane Seymour (Holbein) [Dear Eloise]